Divinity: Original Sin 2 is an expansive RPG with an almost ridiculous number of interactive systems. That makes it amazing for long-time cRPG fans, but also pretty overwhelming for anybody coming to the game without that level of experience. If that overwhelmed feeling describes you, then read on. In this piece I’m going to try to demystify a few things about Divinity: Original Sin 2 and cover a couple of concepts that are worth learning nice and early.
Primarily, this article is for anybody struggling to get through the Fort Joy portion of the game, and for people who want to start the title with a bit of useful fore-knowledge. It’s not a step-by-step walkthrough (though I will mention specific quests here and there), but it will explain some key mechanics and systems.
Oh God Character Creation is Stressful
Character creation is the first boss of Divinity: Original Sin 2. If you’re completely new, it’s probably best to start with one of the pre-determined Origin Stories. You’re still free to choose your own class. Pick one that sounds appealing (the little text summaries are broadly accurate). It’s always possible to diverge and diversify later if you wish. The advise in this article is broad enough to apply to just about any character.
Yes, you can also choose the instrument for your theme song.
She was the character you could have a threesome with in the brothel - yeah, now you remember. Dragon age ii romance.
Save, Save, and Save Again
Weird as it might sound, it helps to be aware of the Divinity: Original Sin 2 design mindset. This is an RPG where you can quite easily wander into a fight that’s far outside your ability to handle it. Quicksave is F5 by default. Do not be ashamed of abusing it while you’re figuring out the game. Save after every fight. Let’s emphasise that a little more: Save after every fight.
Early on (and this will probably hold true thoughout) if you encounter a fight where the enemy is a level above yours, it’ll be a tough combat. Encounters where your party is one level lower but outnumber their foes are more do-able. If the enemy two levels above yours, you shouldn’t be there. The game will depict the level of a opponent when you hover the cursor over them (beneath their health and armour bars). You can usually see far enough ahead to be able to do this without initiating a fight.
Use your quicksave-scumming to try stuff out. See what happens when you use a character with a point or two in Thievery to sneak (C by default) and steal something from an NPC. Try some different quest outcomes. Experiment with what Divinity: Original Sin 2 will allow.
Companions, and Where to Find Them
It helps to have some friends. Here’s where you can find all of the Divinity: Original Sin 2 companions in the first proper area (post shipwreck). If you don’t like their default class, you can ask them to change it through an initial conversation (fully respeccing them is possible in Act Two, but that’s many hours away). Click any of the location maps below for larger versions.
Fane is in a semi-hidden area through some vines.
Beast is mending a ship to the West of Fort Joy on the beach.
Ifan is pretty hard to miss, he’s in an argument with some people when you enter the town after the lizard magistar gets exploded.
Lohse is in a very similar area, she’s near the big Divine statute/Fast Travel waypoint.
Sebille is stalking the Lizard called Stingtail, she’s crouched down spying on his living area on the beach.
The Red Prince is staring out to sea to the West, fairly near where you wash up.
Essentials Before Entering Fort Joy
You may well uncover one of the many ways into Fort Joy quite swiftly. That does not mean you should press on right away. I’d recommend doing the following first.
Make sure at least a couple of people in your Divinity: Original Sin 2 party have healing capabilities. Hydrosophists can learn Restoration at level one. The Huntsman line has First Aid at level one. Neither the default Loshe (Hydro) or default Ifan (Hunts) have those for some insane reason, but you can pick them up from vendors. The blue lizard in town, Rezik, sells Hydro spells, and so does a lady on the beach to the West – the one who wants to talk about her husband and kid (Margo). One of Griff’s gang, Butter, sells Huntsman books. See the Pickpocketing section later on for another way to get hold of these.
Tense teaching in tamil. Verbs in this class include அழு (cry, weep), செய் (do), பெய் (rain/snow)நாn அழுதேன். Below is a summary of the classes, the tense markers, and some verbs that are part of those classes. As with the weak/strong distinction, what class a verb belongs to cannot be predicted solely from its form.Weak verbs: Classes 1-3Class 1: Verb-த்-PNGThe past tense marker for class 1 verbs is த்.
Here’s Rezik, doing a bit of shoegazing.
You can also get a ring with the Restoration spell built in by doing the ‘Murderous Gheist’ quest (the one involving Migo, the guy eating bodies on the beach beyond the elf cave hideout). That can be equipped on anybody.
If you have an undead chap in your party, they heal with poison and are hurt by standard methods. A point in the Geomancer skill opens up a few poison options like Corruption. Maol, the elf splashing around in the water to the South (a bit West of the elf hideout cave) sells Geomancer books.
Locate a Bedroll and put it in your hotbar. You can click on it whenever you’re out of combat to heal everybody up and make them fully rested. Much easier than spamming healing spells or wasting potions.
Look out for a shovel too. You’ll need one to dig up any buried treasures, and to gain access to certain hidden entrances. Lizards can dig without shovels, so if you intend to keep a scaly pal in your Divinity: Original Sin 2 party then you can work around this.
Get the teleport gloves! If you’ve spoken to Gawin about his plan to get one of you out of here, you’ll have a spot with crocodiles marked on your map. If not, just exploring the line of the Western coast after Beast’s spot will bring you into contact with them soon enough. Defeat the crocs (come back later if it seems too tough), and you’ll find the teleport gloves on the corpse of the one that was teleporting around in battle.
The person who equips the gloves can now teleport people and things around the place in combat, and, crucially, out of combat too. They’re very useful for getting people in and out of otherwise inaccessible areas for some extra loot. For example, there’s a cell in the prison beneath Fort Joy that I’m pretty sure is impossible to enter (or leave) without some teleportation.
Once you have teleportation abilities, get two specific chests which will contain goodies. One of the is on top of a broken and ruined bridge close to where you washed up on the beach. The other is where Fane hangs out (the Hidden Alcove). Look for some rainbows and a waterfall, you’ll see it. Teleport it across to you for the rewards (which I think are randomised, but it’s usually something you’ll want).
For that matter, check inside every crate and sack on the island that isn’t coded red for “you’re now nicking something” (unless you want to be stealing, of course). You’ll build up a semi-respectable amount of gold this way, and sometimes find useful bits of low level armour and gear. It can be worth it to take Lucky Charm as a trait for one party member and use them as your dedicated Divinity: Original Sin 2 looter. The Left Alt key highlights things you can pick up, by default.
Make sure somebody in the party has Pet Pal. Ifan starts with it, if you fancy using him. Later on, it seems like the animals start getting some skill/persuasion checks, so it might be worth investing in some persuasion as well (and/or making sure your Pet Pal character has a high Strength/Int/Finesse to pass those).
Rats know what’s up.
Do as many quests outside Fort Joy as you can find for the experience points. You can absolutely be level 3, and maybe even level 4, by the time you’re entering the Fort for real. By the time you leave, you can be level 4 or 5.
This isn’t an exhaustive list, but: Visit the elves in their cave, find Lord Withermore (play with the elf cave kid who wants to play hide and seek), deal with Migo in some fashion (if you have a Yarrow flower there’s a peaceful way), talk to the lady who’s lost her kid, fight in the Arena (hatch in Griff’s area), resolve the situation with Griff, Stingtail, and his ‘special oranges’. Exploring the area in general can give you some experience too. Look around. Talk to everyone. By the time you’re level 3 you should have plenty of routes into Fort Joy open to you.
The area beyond Fort Joy is tough too, so if you feel capable of taking on the Magisters inside the Fort, they’re a useful source for more experience and loot. They’re basically concentration camp guards, so don’t feel too bad about returning to slaughter them all at some point (well, maybe feel a little bad about any hounds). Steal all the paintings upstairs too, they sell for an okay price.
Pickpocketing Like a Pro
The not-so-noble art of pickpocketing is worth a special mention. You’ll have to pump a couple of points into Thievery (or wear an item that boosts that stat), but it can absolutely pay off. The number of points dictates the value and volume of things you can steal. It appears you can only pickpocket each NPC once per character with the Thievery skill, so make it count.
It’s not like Stingtail really NEEDS all those Pyro books.
To pickpocket, go into stealth mode (C) and maneuver yourself out of everybody’s sight line. This is difficult-to-impossible in places where there are loads of NPCs, but some people and merchants are isolated enough. It can help to have another character distract your target by opening up dialogue with them (then switch back to your pickpocket). Nab what you can, make a getaway with the thief, then end the dialogue with your other character and pull them out of the area too. NPCs always react to being pickpocketed after a little while, and you don’t want to be around and forced to explain yourself with a persuasion check.
You can acquire a whole load of early skill books in various disciplines this way. Or some other gear. Anything you don’t want, you even can sell back to the victim.
Be aware that almost everyone in Divinity: Original Sin 2 has items that you can steal or barter for in the usual manner. Not every vendor makes a big deal about their wares. During almost any dialogue you can click the little trade icon to the left (the hand with gold falling in it) to open the trade panel. This also gives you a nice preview of what you can potentially steal.
Combat Fundamentals
You won’t get very far in Divinity: Original Sin 2 without understanding a few combat fundamentals. First of all, it’s worth knowing that you can toggle between Classic (‘Normal’) and Explorer (‘Easy’) difficulties at will, so if a fight is too tough you can lower the challenge to progress. Then toggle it back up again, if you wish.
O (by default) switches to an overhead tactical camera in fights. This is helpful for avoiding mis-clicks and getting a better idea about lines of sight.
A lot of the time, you know when a fight is about to kick off. Either you see the group of enemies ahead, or you know that pissing someone off in conversation will start combat. Use this knowledge to your advantage by positioning your party ahead of time. For example, if you plan to fight Griff and his gang, stick a ranged guy on the wooden structure ahead of time for some tasty high ground bonuses.
More like the Low Judge.
To quickly separate someone from the party (to send them off into position), drag their portrait off to the side. It’ll break the ‘chains’ holding it to the others. In order to reattach after the fight, just drag it back. Many enemies have area of effect skills or spells, so it usually pays to have your group split up a little rather than wandering into a fight as a fat block of four.
Fights in Divinity: Original Sin 2 are, broadly, about using elemental combinations to deny space to the enemy, positioning people on high ground (for ranged), utilising skills to prevent your foes from taking their turns, and whittling down physical and/or magic armour so you can get to the juicy hit points inside.
Fire combined with poison will create an explosion. Fire on Oil will burn. Fire alone will set a Burning state. Water and blood will conduct electricity (setting a Shocked state). Water can also freeze (Chilled state).
Geomancy (oil, poison) complements Pyrokinetic (fire). Hydrosophist (water) complements Aerotheurge (electric). Ranged characters can contribute to these elemental effects with special arrows, and certain skills (like the Red Prince’s fire breath) can give you extra options too. There are many other combinations as well (Necromancy can provide blood for electric charges), but those are the basic sets.
Here, Ifan is knocked down, poisoned, and has a dog sniffing his nuts.
Having one caster to provide the set-up (Geo/Hydro for some oil/water) and another with lower Wits (so they move afterwards) to follow-up with the pay offs (Pyro/Aero for fire/electric) can work really well. As can just having combos like Aero/Hydro on individual mages.
Avoid standing in elemental pools (unless you get a specific benefit for doing so, like undead healing from poison) or positioning yourself next to potentially explosive barrels, because that’s just asking for trouble. Conversely, watch out for enemies foolishly lurking near an explosion-in-waiting. You can also create choke-points by popping off zones of fire, poison, or electrified water/blood that most AI opponents won’t want to cross.
Most spell and skill effects in Divinity: Original Sin 2 won’t have their desired status result (Blinded, Crippled, and so on) while enemies still have their physical/magic armour. Attack types generally target the armour type you would expect; so melee stuff hits physical and magic attacks are defended by magic armour. Once that’s gone, you’ll start seeing status effects.
The conclusion to probably draw from this is that it’s important to make sure you’re focusing consistent attack types on enemies. There’s no point busting through all of the physical armour and then hitting them with a magical attack that’s just going to be soaked up by the magic armour. This may mean there’s a lot of mileage in a party that can deal 100% physical or 100% magical damage, but I’m not far enough into the game to know for sure (you’ll probably always need some variety – I’ve already found one enemy that has all magic armour).
This chap no longer has any Physical Armour. So hit him with Physical attacks.
Even if you lean into physical damage as your main focus, the magic users are still vital for additional support; either through buffs, or by using their elemental skills to cut off parts of the battlefield. I’ve found that equipping a mage with a wand and shield can give them a lot of protection. Staffs are nice and all, but your mage will predominantly be at range, and do most of their damage through spells – so a lone wand as a backup ranged weapon is fine. The AI also seems less inclined to go after more armoured members of your party (worth knowing if you stick all your armour on a ‘tank’ character), so it can help your spellcasters stay alive that way too.
The bar at the top of the screen shows the movement order, so if you have the choice between hobbling one of two enemies, go for the one whose move is coming up sooner. Anything you can do to temporarily prevent a foe taking a shot at you (knocking them down, crippling them, blinding them, slowing them) is always worthwhile. The fewer chances Divinity: Original Sin 2’s AI has to attack, the more chance you have of surviving an encounter.
Use the elements to control the battlefield space. Find high ground for ranged characters (seriously, it can be as much as a 35% damage boost). Focus on reducing one armour type where you can. Deploy skills that prevent the enemy from moving or fighting effectively. Those are the fundamentals.
Once you’ve got that down, start thinking creatively with your abilities. See an opportunity to teleport an enemy wizard from their high ground into the middle of a poisonous cloud, then set off a fiery chain-reaction that catches more baddies in the explosion? Do it!
With this knowledge at your command the trip through Fort Joy should be less painful, and you’ll be well set to continue your journey beyond.
By Matt Espineli and Dave Jewitt on
Tips To Survive
Divinity Original Sin II is a difficult game that eagerly punishes your mistakes in combat or even when talking to NPCs. With so many factors to consider as you explore, it can be tough to survive. To help newcomers to the series, we've gathered nine tips to know before you set off to Fort Joy, and into the world of Rivellon.
You can also view the video version of this guide. Otherwise, if you're an experienced player, make sure to read our expert tips guide.
For more about the acclaimed RPG, be sure to read our Divinity: Original Sin II review. The game is out now for PC, but it's been in Steam Early Access for almost a year. It's the sequel to our 2014 PC Game of the Year, Divinity: Original Sin, and it netted over $2 million from 40,000 fans on Kickstarter. It features over 1,200 characters, all of them fully voice-acted.
For more on how to better play Divinity: Original Sin II, check out our roundup of glass guides, tips, and walkthroughs.
Divinity: Original Sin II
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Physical contact has always been fairly limited in video games. In many games, your character can hit others with their hands, feet, or arm that’s also a sword, if you have one of those. In some, your character can flirt or have sex with other characters. In a handful, you can hold hands. I can hardly think of any, however, that treat touch as a means of support.
Divinity: Original Sin 2 spoilers ahead.
I’ve been replaying Divinity: Original Sin 2 lately—I will probably just play this one game for the rest of my life, at this rate—in order to appreciate more of its little details. One thing that’s really stood out to me this time around is just how often the game hits me with dialogue prompts that involve light physical contact with other characters. Sometimes, they’re overtly flirty, but a lot of the time it’s just about acknowledgement or, in what I think are the most subtly affecting moments, emotional support.
For example, if you have elven assassin Sebille in your party, you can end up learning that her memories of her true identity as thefuture backbone of elven society were stolen from her as a child. Other elves make her relive those memories in order to regain them, and it’s a pretty traumatic experience. While she’s reliving them, you can try to halt the proceedings, do nothing, or put your hands on her shoulders to brace her for what’s coming.
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The first time around I didn’t interfere, because Sebille can be kind of distant and prone to disemboweling people who piss her off. On this playthrough, I decided to support her by touching her. In response, she offered uncharacteristically heartfelt gratitude. I was rewarded with a bunch of “attitude points,” which are, admittedly, an Extremely Video Games way of demonstrating an emotional bond. Still, it was a really nice moment that made me feel legitimately close to this character I’d previously found to be aloof and intimidating.
Divinity Original Sin 2 Romance Guide Movie
It makes the relationship between these characters feel less transactional and more like a legitimate, growing bond.
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In another scene, a posh-bordering-on-pretentious party member named The Red Prince finally meets the love of his life. He’s seen her in magical dreams for literally his whole life, and then has her torn away from him in an instant after sort of also being betrayed by her. After a big battle, I got to talk the situation through with him and, upon noting that he’s clearly been through a lot, was presented with the option to give him a big hug.
I didn’t have to hug him. Heck, I could’ve told him he was kind of a dumbass for jumping into the arms of somebody he’d never actually met. But if you do give him a hug, the game says that he embraces you too tightly and for a little too long. Despite a typical demeanor of regal cool, The Red Prince obviously needed that hug. Afterwards, he’s adorably embarrassed. “Yes,” he says, flustered. “I suppose we’ve become really good friends, haven’t we?” It’s a moment that reveals a softer side of The Red Prince’s character and underscores the journey you’ve been on so far. It makes the relationship between these characters feel less transactional and more like a legitimate, growing bond.
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Unlike in games like The Witcher 3 or Mass Effect, where characters make physical contact in cut scenes, or Ico, where holding hands is a full-blown mechanic, Original Sin 2 turns it into a consideration that the player has agency over in many dialogues. It’s an additional dimension of communication, something you have to think about and deploy when it feels appropriate to you. It reveals things about other characters and gives the character you’re role-playing more depth as well.
Divinity 2 Romance Options
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I’d wager that part of the reason you don’t see these sorts of interactions in many other games is that preventing people from clipping into each other is a problem that only god has solved thus far. Original Sin 2, on the other hand, has the advantage of being able to just describe physical interactions with words, which allow for a lot of subtle, contextual nuance canned animations just can’t provide. Still, I do hope other games start prioritizing this form of touch in addition to the kind that involves punching/kicking/sword-arming people in the head.
In Original Sin 2, touching characters isn’t always a good idea. I gently put my hand on the cheek of an NPC who seemed to be hurting, and they slapped it away. I tried to pet a dog once, and it bit me. I also tried to pet a reanimated skeleton kitty, and it howled in shame of its bony body. In hindsight, I should’ve read their cues better. In Original Sin 2, as in the real world, physical contact can be a scary prospect, and you have to learn when it’s appropriate. But sorting through this stuff, especially as somebody who struggles to navigate it in my own life, is a process, and I appreciate that Original Sin 2 turns it into a key element of communication and lets me experiment with it.
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Divinity Original Sin 2 Walkthrough
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